Listen to Live Online Radio Stations

Classic Hits 109 - The 70s
CALM RADIO - Antonio Vivaldi
delta radio I love Hamburg
WBHL 90.7
Prysm EDM - Big Room
Virgin Rock 80
917xfm
CALM RADIO - Luigi Cherubini
germanfm
Radio Adventlife
Radio Veronica
Clubmix
Good Morning by Positivity Radio
Cork's Red FM
hits4life
mainstagefm
ROBLOX FM XMAS
SWR4 Karlsruhe
Classic Praha
Gritty Rock Radio
Arabella Rock
WZRH ALT 92.3 FM
RPR1.Chillout
vodafone
House by rautemusik
CALM RADIO - Sarabande
1.FM - Adore Jazz
Radio Norba
Skyrock La Nocturne
Deutschrap by rautemusik
BB RADIO - FetenHits
ElectraFM
MKM Radio - Caraibes Style
Rádio Ótima 94.5 FM
KERB - Kutting Edge Radio Broadcasting
SpyderMonkey Shanty Radio
Metal-FM.com
M Radio
NewGrass Valley
On and Off the Wall
Pure FM London
Conecta Radio Digital
RMF Cuba
THE CLUB radio 89.8 FM - Mallorca
Swing FM
The Jazz Century
kriola
MediaAttic Radio
bigFM
LibelulaChile.com
Big Radio 2
Rádio Caruá FM 90,1
Bremen Eins Beat-Club
Crime Time Radio USA
skaworld
Caboradio
Radio Schwarze Welle
Rádio Amália
Celtic Music Radio
Radio Serra da Capivara 550 AM
Klassik Radio Brazil
DanceFox-Radio
BassDrive
SikhNet Western - Non Traditional
BFM Business
Diva Radio Disco
Alouette
1.FM - Disco Ball 70's - 80's
181.fm - 80's Hairband

What Xyset is, and what it is not

Xyset is a directory of publicly broadcast internet radio streams. When a station puts a stream URL on the open web, we index it, check that it actually plays, record what format it is in, and give it a page with a player that works in the browser. No account, no app, no download. Press play and it plays.

We do not host audio and we do not re-encode anything. The stream you hear on a station page is the station's own feed, exactly as the broadcaster publishes it. If a station asks us to remove its listing we remove it, same day. That request goes to the address on our contact page.

How we check that a station actually works

Every station with a written profile on this site has had its stream opened and read, not just copied from another listing. We request the stream the way a player does, with an Icy-MetaData header, and read what the server sends back: the broadcaster's own station name, the codec, the advertised bitrate, and the station's official website where the server declares one. Those figures are what appear in the stream details table on each station page, alongside the date we read them.

A stream fails the check if the hostname no longer resolves, the server refuses the connection, the URL redirects in a loop, the response is a web page dressed up as audio, or the connection opens and then never delivers a byte. All five happen constantly, because streams rot: broadcasters move hosts, licences lapse, and a URL that worked last year quietly stops working without anyone announcing it.

The most recent sweep ran on 20 September 2026. Of 96 streams tested, 69 played and 27 did not. The ones that failed have been pulled out of the browse grids and their pages now carry a notice saying what went wrong and when we found it, rather than a player that silently does nothing.

Bitrate and codec: why two stations sound different

Two stations playing the same song can sound noticeably different, and the reason is usually on the station page rather than in the studio. Internet radio is compressed twice over: once by the codec, and again by how many bits per second the broadcaster is willing to pay for.

Codec. Most stations send MP3 or AAC. AAC and its low-bitrate variant AAC+ (also written HE-AAC) hold up far better when bits are scarce. An AAC+ stream at 48 kbps is roughly comparable to an MP3 at 96 kbps, which is why so many broadcasters use it for their mobile feed. If a station page here says 48 kbps and it still sounds clean, AAC+ is the reason.

Bitrate. Below about 64 kbps in MP3 you will hear it: cymbals turn to hiss and reverb tails smear. Above 128 kbps most listeners on laptop speakers or earbuds stop being able to tell. Classical and jazz stations tend to broadcast higher because the music punishes compression; talk and news stations sit low because speech does not need the headroom, which is why a 32 kbps news stream sounds perfectly fine while a 32 kbps rock stream does not.

What a stream costs you in mobile data

Bitrate is also the number that matters if you are listening on a metered connection. The arithmetic is fixed: one hour at a given bitrate always costs the same amount of data, whatever the station is playing. We list the bitrate on every station page we have verified, so you can work it out before you press play.

Stream bitrate Per hour Per 8-hour day Typically used for
32 kbps14 MB110 MBTalk, news, sport commentary
48 kbps AAC+21 MB169 MBMobile music feeds
64 kbps28 MB225 MBGeneral music, low-data mode
96 kbps42 MB338 MBCommon MP3 default
128 kbps56 MB450 MBStandard music quality
192 kbps84 MB675 MBJazz, classical, specialist
320 kbps141 MB1.1 GBAudiophile and hi-fi feeds

A three-hour work session on a 128 kbps stream is about 170 MB. The same session on a 48 kbps AAC+ feed is about 63 MB. If you listen all day on a capped plan, choosing the lower-bitrate version of the same station is the single change that makes the most difference. The verified streams list can be sorted by data cost for exactly this.